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A wide shot of the Prehistoric Evolution stage taken at the level of the audience a little before sunset. This photo shows the complete scope of the stage, which has three large screens placed in between the legs, concert lighting and pyrotechnic elements.

This is a wide shot of the Lost Lands: Prehisoric Evolution during load in. The stage in 2021 had six legs with the illusion of blocks like steps creating the foundation for the header, stretching across the stage at about 300'. The entirety of the Prehistoric Evolution stage is painted to give the appearance of carved and painted stone placed upon a mossy, flat stone background. The carved stone is painted beige and rust, depicting dinosaurs and decorative elements found in petroglyphs.

A detail photo of a piece of the Prehistoric Evolution stage's header, located in the paint shop of McGuire Scenic. The entirety of the Prehistoric Evolution stage is painted to give the appearance of carved and painted stone placed upon a mossy, flat stone background. The carved stone is painted beige and rust, depicting dinosaurs and decorative elements found in petroglyphs.

A detail photo of a piece of the Prehistoric Evolution stage's header, located in the paint shop of McGuire Scenic. The entirety of the Prehistoric Evolution stage is painted to give the appearance of carved and painted stone placed upon a mossy, flat stone background. The carved stone is painted beige and rust, depicting dinosaurs and decorative elements found in petroglyphs.

An arial view of the Wortham Theatre Center, largely showing the theatre, the audience, and the stage lighting during the Honors Show. The theatre is a rich crimson, with cool white lights reflecting on the walls in the house and large spots from center stage reaching up into the audience. You can see the set from an oblique angle, described in greater detail in the rest of the slideshow.

An image taken by Todd Rosenberg during the NFL Honors Show. It's a detail of the set, with a monitor reading "Walter Payton, NFL Man of the Year." The set behind the screen is made of several imperfect arches raising above at oblique angles behind the monitor. It is lit in cyans and blues, matching projections depicting football players tinted in blues as well.

A picture of the set after scenery load in, during lighting and projecting focusing. In the foreground of the photo, technicians working on the lighting effects are seated in the house. McGuire Scenic's work, the set, is behind the screens. It is made of several imperfect arches raising above at oblique angles behind the monitor. It is lit in cyans and blues, matching projections depicting football players tinted in blues as well.

This is a photo to show the scale of the arches making up the set for the NFL Honors show. They are placed in the McGuire Scenic paint shop,